Thursday, 26 July 2018

Creative Writing


It was silly really, letting the weak winter daylight disappear before walking her dogs; now it would be too late to get back without the dark closing in. Pulling on a coat over her expectant belly, chastising herself for becoming distracted and irritated at the prospect of a wet, muddy slide in the twilight, Justine squeezes through the back-gate.

Her day has been frustratingly unproductive, undeveloped ideas melting away before forming fully and the baby seemed unusually restless shifting within her. And there was a nightmare which suddenly surfaced - freed by a radio debate discussing gender neutrality - a cause she'd adopted by opting-out of a sexing scan and felt was a fundamental part of this androgynous existence.

Devastatingly real, the dream revealed a faceless baby, slick with blood, umbilical cord fast about its neck.  "It was only a dream", she comforts, shaking her head to stop foreboding thoughts sinking deeper. 

Heading along the well trodden hedge-line, huddled against the annoyance of an unorganized existence writing her first novel, she passes under the tree's dense canopy.  She wonders at her unease, having always been more concerned with creating a book than a life.

Ahead, the beagles stop abruptly, unhappy tails tucked despondently beneath them, focusing their intense gaze on something sensed along the path.  A cold, malingering pocket of air, drapes itself across Justine’s shoulders and shivering, she instinctively touches her stomach.

Suddenly, a blackbird sounds a noisy warning.  On edge and annoyed at the dogs’ unease, she calls to them but hears a voice as faint as an echo whispering back. Pulse pounding, she searches the direction of the canines’ neurosis, while fishing for her mobile in her pocket, swiping for the reassurance of the torch.

Her phone is dead and swearing, she moves to hurry back, startled at how vulnerable and cold she unexpectedly feels. But the unintelligible voice speaks again – louder this time - as if tuning to a more receptive channel and glancing down she sees that a pale-light is emanating from its screen. Shakily holding it away from her like an unpleasant thought, Justine reluctantly places the phone to her ear with a tentative “Hello?”.

She expects a girl’s voice but can’t be sure and as she tries to make sense of the barren words; the voice is lost to babies’ screams in the background. The glow dies, along with all composure, and sobbing, she tries to run back along the slippery path.

Falling painfully onto her knees, struggling to stand up, a new terror seizes her as something brushes against her face and turning, Justine sees a pair of pale, dirty feet suspended in mid-air.

Hauling herself up, hysterical sobs racking through her body, she stumbles away and looking back sees a corpse hanging, head lolling unnaturally, blank eyes staring down at its distended stomach.

The police and paramedics arrived quickly but there’s nothing to be found. 

Her doctor insists on another scan later that week, which confirms Justine is having twins – a boy, and a girl.

Copyright© Lucinda Merriman

Monday, 25 June 2018

Word for word


I need to write a poem – I want to write it quick, ‘cause if I don’t get the right words out soon, I’m afraid of feeling sick.

Verses coursing through my body, arranging which route to take, surging along my arteries, trying to escape.

Bashing up my brain cells, mithering my messy mind - tickling my stomach lining - dashing down my spine.

Trying to find an opening, a natural way to flow, my conjunctions are forming untidy lines but still it’s all too slow.

My liver says it’s leaving to find a more eloquent space, while my heart is busy emoting, at a fast and furious pace.

Alas, I’ve mislaid all the alliteration I imagined tipping off my tongue - I’ve failed to corral any apostrophes and the prologue’s not yet begun.

If only I could locate a preposition, to see just where I am or think of an interjection that didn’t give a damn!

Clumsy commas dash off with semi-colons, not sure what mark to make; whilst an ill at ease idiom, puts on its brave face.

Clouds of clichés gather, hovering ominously overhead, lazy similes bumping into muddled metaphors, that should have stayed in bed.

What if these thoughts do make it into the open and are transcribed onto the page, will their sudden exposure seem weak or overplayed?

An errant ego rushing off to find flattery, seldom looks back to ponder on its faults, not for it perpetual circles of uncertainty, as in a beginner’s waltz.

We should be careful what we wish for, be wary of what we aspire to write, as often words betray their creator, leaving them ashamedly contrite.

After all it might just be hyperbole, overstated and often queer – for example who ever thought of a word that sounds like itself and called it an onomatopoeia?




Copyright Lucinda Merriman ©

Friday, 22 June 2018

To be?



Be careful what you wish for,

be mindful what you think.

Be cautious what you eat for tea,

be wary what you drink.

Keep walking on the sunny-side 

of life’s perpetual gloom.

And be sure to stay on the funny-side 

of your eventual doom. 

Copyright Lucinda Merriman

Friday, 15 June 2018

Greeting card verses


Special Birthday Wishes 

Every year you have a birthday, today you have one too, 
of all the things most wonderful, I wish them all for you.
Walking in the sunshine, singing in the rain, 
holding hands with the one you love, making daisy chains.
Catching warm birthday wishes, holding happiness in your hand, 
embracing joyful moments, will make you understand, 
how sending across all my love and wishing you the perfect day, 
will happen every year I think of you, in this very special way.

Thank You

Thank you for being so wonderful, thank you for being so kind.
All the lovely things you do for me, have been swirling around my mind.
Listening to all my problems, giving me a hug, 
buying me a bunch of flowers, never looking smug.
If everyone were as nice as you, the world would be a better place,
the streets would be full of happy people with smiles upon their face.

Copyright Lucinda Merriman

Wednesday, 15 November 2017

Introducing this year’s sensational Textile Society’s student bursary winners

This year’s overall winner was postgraduate Abigail Barnes who recently graduated from the Royal College of Art where she specialised in Mixed Media Textiles.  
Abigail explains: “My graduate collection focused on luxurious embroidery and
Abigail Barnes at the ATF London
embellishment design, where I looked at ways to exploit traditional techniques of hand embroidery, while using more contemporary processes.” 

The judges were impressed by the level of skill and craftsmanship demonstrated in the production of the work, and how this was deployed to creative effect.  Sumptuous materials - leathers, (stingray and ostrich), furs, pearls and silks were utilised to form highly decorative embellished and constructed cloths that have the potential for a wide variety of applications.
The judges reported: "The work of Abigail Barnes is sensory and exquisite.There is an elegant fusion between the digital and ‘hand’ processes with media and materials being sensitively and carefully selected.  Student’s work should show the potential of itself, rather than be at a point of closure, and it was for this reason that we were particularly impressed with Abigail’s application.”
Abigail used her bursary award to buy materials to put together a trim collection in
One of Abigail's designs
collaboration with her friend Elizabeth Ashdown, a Weave designer, also a recent graduate from the RCA, to exhibit at Première Vision, Paris, the fashion industry’s premier material sourcing event.

Abigail said: “The Textile Society’s award really helped me to fund Paris, which was a wonderful, if a little overwhelming experience.  I spoke to lots of inspiring and influential people in the industry and it was great to see how my work would translate in terms of production for a fashion house or atelier in London.' 

The two runner-ups were postgraduates Kita Katona and Alice Hebdon.  
Zita Katona at the ATF London
Kita Katona graduating this November with a Distinction in MA Fashion and Textiles design from Heriot-Watt, created a printed textile project 'Anthropocene', inspired by the human 'built' environment.  Her work takes on the sixties modernist architectural environment of 'brutalism' and the vernacular of Scotland, including pylons and the industrial landscape. 
Zita explained: "I wanted to try and make our industrial landscape attractive - translating into something you would want to bring into your home.  My project incorporates three collections - 'Grids' (industrial networks), 'Blocks' (town layouts) and 'Cracks' (industrial materials)."  
Crack by Zita Katona
The judges said: "Zita's enthusiasm, perfectly complemented her well-presented written work an communicated a topical and lively context." The judges admired her colour palette and use of laser cut wood blocks and digital print on coarse linen, as well as using her designs for a more delicate devoré.
Keen to carry on creating her own collections, Zita, delighted with her award said: “The Society’s award helped me with my research, to buy materials and create prototypes, which I can now use to show potential manufacturers, designers or architects.”
While recently completing her Masters in fashion and Textiles from the Glasgow School of Art, Alice Hebdon works in costume design, both dyeing fabrics and creating costumes for film, TV and theatre.

Alice Hebdon at the ATF London
Through access to the Glasgow School of Art archives, Alice researched the origins of the artist’s smock in the paintings of the Scottish artist Joan Eardley and her original working garment. Alice is intrigued by the qualities of its wear and tear, the accidental splatters of paint, and staining.
Alice said: “I love the depth of colour Joan used – her dark tones and the zingy bursts of light coming through, these inspired the colours I selected for my collection.”
Continuing with the traditions of linen in smocks, Alice has developed her print using linens produced by Peter Greig and Company of Kirkcaldy, the last remaining linen weavers in Scotland. Her printed samples demonstrate an empathy with the qualities of cloth – continuing to soften and wet finish the linens before distressing them, breaking down their surface by brushing and sanding, and subsequently darning and mending – before imprinting these tactile qualities and reprinting them back onto the cloth. 
Alice's award winning design
The judges said: "We were impressed by Alice's development from research to ideas towards contemporary practice and textile design and her vision for the development of these traditional garments into a collection of printed compositions for new, extreme fashion shapes."
Alice has found the whole experience of the Textile Society’s award process enjoyable and enlightening. 
“Not only helpful in terms of buying fabric and being able to create my collection for the final degree show, I found attending the Textile Society’s Manchester Textile Fair pivotal in providing clarity, encouragement and advice at that point in my course.  The judges gave me some great advice and the confidence in my project that I needed. It was also while I was at this event that I was approached to exhibit one of my pieces in Gallery 8, Duke Street, London alongside legendary designers and artists such as Henry Moore and Zandra Rhodes.”  
In the future, Alice aims to develop working relationships with other Scottish textile manufacturers and cloth finishers.
The Textile Society – Lyn Broster – email bursaries@textilesociety.org.uk http://www.textilesociety.org.uk/bursaries-awards/student-bursary.php  
Abigail Barnes - Woven and Mixed Media design studio specialising in fine fabrics and Passementerie.  ashdownbarnes@gmail.com
Zita Katona – Graphic and Textile Designer – postbox@zitakatona.eu – www.zitakatone.eu
Alice Hebdon – Designer, costume maker and fabric dyer – alicehebdon@gmail.com