Adapted from a best-selling book that took its author Kathryn Stockett 5 years to write, ‘The Help’ was directed by Tate
Taylor who along with Kathryn was born in Jackson and attended the same pre-school.
‘The Help’ is set in 1962 in the middle of
the Mississippi Civil Rights Movement, 7 years after Rosa Parks made history in
Montgomery and 6 years before Martin Luther
King was to be assassinated.
The film tells the story of African-American maids working for white families in Jackson, Mississippi and how a privileged white woman, Eugenia ‘Skeeter’ Phelan (Emma Stone) returning from college, aspiring to be a writer, takes up their cause.
The film tells the story of African-American maids working for white families in Jackson, Mississippi and how a privileged white woman, Eugenia ‘Skeeter’ Phelan (Emma Stone) returning from college, aspiring to be a writer, takes up their cause.
‘The Help’ has a convincing cast who fill
the screen with interesting, all be it stereotypical, strong women. Octavia
Spencer won the Academy Award for the 'Best Actress in a Supporting Role' as sassy Minny Jackson who saves Celia Foote (Jessica Chastain), the good-hearted floozy in an entertaining 'Gone with the Wind' pastiche.
It’s a shame the men are so 2-dimensional,
given in the 60s women were still suffering prejudice themselves in education
and the workplace. And it’s also
interesting to note that there is only one real villain – Hilly Holbrook,
played with great pantomime gusto by Bryce Dallas Howard; when in reality she
would be in the majority.
It's a commendable attempt to present
a sanitised version of this emotive subject but for all its uncomfortable moments of segregated loos and complete disregard for feelings; it never delivers the brooding menace of real violence against African-Americans that festered in the South at this time.
For all its faults, it's worth watching - this elevated 'chick flick' is superficially uplifting - women triumph, baddies get what they deserve and good prevails.
For all its faults, it's worth watching - this elevated 'chick flick' is superficially uplifting - women triumph, baddies get what they deserve and good prevails.
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